At a small laundromat in Tokyo
I loitered outside to see how people go.
They were slow.
It was November and they were slow.
But in Tokyo slow is much faster
than what seems fast anywhere else you go…
(Nakano 5-chome, Tokyo, November 2015. See my other work here and here.)
This Mormon boy
(I didn’t get his name and it doesn’t matter)
was on his mission at Nakano Station
handing out tickets to god and scattering seeds of fertilized Jesus.
The Japanese soil won’t take those seeds.
The Japanese never needed a long-haired hippie foreigner to tell them
how to fear death and ghosts.
Besides, Japan’s gods are legion,
tend to be more entertaining,
and bring darker blood and better humor to dinner parties.
And they’re good for a short loan and fast drink on payday.
What this Mormon boy didn’t understand,
will never understand,
is Jesus will never get more from the Japanese than a 90-day visitor’s visa.
The Japanese love their ancient gods so much
they’ve made them characters in video games.
And how is Jesus going to bring devout people
closer to heaven than that?
(Nakano Station, Tokyo, September 2013)
In late October, 2015, I was in Tokyo, Japan for 25 days. I shot many photographs, and this series presents the most interesting, compelling, or touching scene I saw each day I was there. Click here to see the previous entries in this series.
When I visited Tokyo in 2012 and 2013, across the street from the building where I rented an apartment I’d frequently see an old man in the early morning doing calisthenics in front of his house. Sometimes in the late morning or early afternoon, I’d see the old man having a cigarette in the same spot where he exercised. I’d always see him when I was outside smoking myself, since I couldn’t smoke in my building. We became familiar sights to one another, typically either smiling or waving at each other, or exchanging spoken greetings like ohayō gozaimasu (good morning).
In 2015 I stayed once again in the same building and expected to see the old man doing his familiar things again across the street. But I didn’t, and I became upset about it. I was genuinely worried that the old man had moved away, or been put into a rest home, or had died, and that the last time I saw him in 2013 was the last time I was ever going to see him. A week passed during which my concern grew, until finally on my eighth day in the city I saw my beloved old man across the street sweeping up leaves that had fallen in his courtyard.
I was so relieved I wanted to cry. Instead, I grabbed my camera and approached the old man to ask if I could photograph him, something I’d never done before. I wanted a souvenir of him, something I could have to remember his face, his wrinkled beauty, to remind me of how a small, almost non-existent relationship spread out over a number of years could have weight and comfortable importance. At least to me.
I asked him in broken Japanese for a pikuchā and he happily agreed while a wave of recognition passed across his face. Then I said thank you to him and went back to my apartment while he continued sweeping. I didn’t see him again for the remaining 17 days I was in Tokyo. Once had to do. I really hope I see him again when I go back to Tokyo in 2017. But if I don’t I’ll imagine that it’s because of bad timing, and say a silent Buddhist prayer that if he died he died happy and easy.
Then I’ll say another prayer thanking karma and good fortune that I carry a camera, if the Buddhists even have a camera prayer.
(Nakano 5-chome, Tokyo 2015)
In late October, 2015, I was in Tokyo, Japan for 25 days. I shot many photographs, and this series presents the most interesting, compelling, or touching scene I saw each day I was there. Click here to see the previous entries in this series.
On the second day in November it was raining heavily in Tokyo so I decided to stay in Nakano-ku to avoid the unpleasant heat and humidity damp passengers always generate in Tokyo public train cars. I happened to be walking by Nakano Sun Plaza while some kind of stage show was in progress. A crowd of almost all men was watching and cheering two women singing a bubblegum rap song in squeaky little-girl anime voices.
I figured out the scene I’d stumbled into was sponsored by a film festival and an agriculture company (maybe you can read far more of the poster in the second photo than I can), but I never did understand why this guy was standing in the crowd in swimming gear with plasters on his nipples in the rain on a chilly November day in Tokyo…
The event timetable…
(Nakano Sun Plaza, Tokyo 2015)