Posts Tagged: poems

Waiting in the monkey patch for the Great Ape

Five years sober and

I’m loving every minute of it and

I’m hating every minute of it and

I’m indifferent to every minute of it.

Humans are complex, you know?

I mean, it’s not an excuse,

but it is a reason.

When I decided to stop,

to decline my animal vice,

I started building a new type of animal.

An animal that’s neurotic,

depressed, insecure,

and happy to be dying at a slower rate.

These things were always there,

but are now enhanced, intensified,

because there’s no monkey-time booze

within my grimacing veins to suppress them.

The depression is so intensified it could drive you to drink,

which is an irony I hold close

so it can warm my aging heart.

And dependability.

I’m more dependable than I used to be,

I can come pick you up at

the Kaiser ER or the police station

at three o’clock in the morning.

I won’t be passed out

under beer sweat-soaked sheets

next to a box of old family photos on my cold basement floor.

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So keep that in mind,

I might come in handy.

I mean, someone’s got to have a use for me, right?

Because some days

I find it hard

to even find a use for myself.

There’s so much shit

swimming around in my head

even though the beer filters are five years gone.

Five years gone and still no love for Jesus.

I’m actually rather proud of that.

I’d rather spend the rest of my life

Struggling like Sisyphus

to find solace in myself

than to look to some spook in the sky

and try to give his ass all the credit.

I’m the one doing the fucking work, for chrissakes.

If I’m to suffer or sparkle, I’ll take all the blame.

I’ll get more of the royalties that way.

There’s no shame in suffering,

and no suffering in shame.

And when I get to that place,

if I get to that place,

where I never think about booze at all,

how much of my life I wasted with it,

it will be, I think it will be,

a notable, happy day.

I could use a notably happy day, let me tell ya.

And I will give you a call, and

offer to take you out for a drink.

You can pick the bar.

I’m pretty sure they’ll have club soda.

(Photographed from my front porch one sunny day in October, 2022. See my other work on Flickr and Instagram.)

Gone, just gone, 10 years on…

The idea of the kids still haunts me ten years later.

Very infrequently I have nightmares about ghostly green, purple, and burnt orange faces of Japanese children floating above their anguished parents, who are still living bitter lives in tiny yatai-shaped temporary houses scattered throughout a cartoon nuclear meltdown hellscape version of Fukushima.

I know the reality isn’t quite that bad. But ten years on folks in Tōhoku still can’t go home, and in the deep ocean there are the bones of innocent kids from 3/11 that will never be discovered nor buried. For ten years the loss of those lives and their potential has bothered me, and probably always will.

I wrote this poem about the lost children in 2014 for the third anniversary of the disaster. It’s also an ode to the sorrow and horror felt by a man who merely edited other people’s stories from the disaster but didn’t actually experience it himself. So take that for what it’s worth as you read the poem, and I hope you enjoy it…

Gone, just gone

The bubblegum kids no one is ever going to know,

rotting out their lives in the cold of Mishima’s boiling sea.

There’s grace in the truncheons of justice they may have become.

There’s iron will in the blood they will never spill on land.

There’s a permanent school of candyfloss and diamond textbooks

waiting to teach them about the ghosts of great emperors.

It’s the time when they died that will never forgive, and will ever hate itself

for taking them walking to the undersea graves of lost civilizations.

There’s teeny shoes floating in the sea that had warm, happy feet in them.

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There’s a TV somewhere that always shows cartoons only Japanese children can understand.

There’s a tear we cry for strangers who will never grow up to be our friends.

Or invent new light.

Or cure the gangrene in our hateful bones.

There is soil that will never be disturbed, for there is no reason to displace it for graves.

It is fine soil, still, and we should honor it by planting flowers that taste like rice candy.

We should remember that sometimes the bubblegum kids see with both a living and a dead set of eyes.

And we should love them, and we should remember them,

And we should hold what we know of them with a warmth that radiates down into the deepest chasm at the bottom of the sea.

(—For the lost children of Japan after March 11th, 2011. Photograph taken in Nakano 5-chome, Tokyo in September 2013. See my other photo work here and here.)